4/9/2023 0 Comments Rdg portrait retouching![]() pimples), choose the New Brush Stroke mode in the brush settings, so that each stroke (each dab) of the brush uses a new source. When you’re retouching a large number of points (e.g. They’re all useful in slightly different places. Brush Settingsīefore you get started with retouching areas large or small, you need to know which tool and which mode to choose. ![]() Traditional “cloning” work would have left the model looking like a sculpture. The skin is far smoother, yet it also hasn’t lost its structure. We aren’t done by far, but the Smoothing Brush has done a good piece of work. Also, for now it doesn’t need to be perfect-we’re just at the beginning. But even after your edit, the skin should look natural. If there are some spots where you feel the effect could be stronger, click on Add Mask and use the Smoothing Brush locally one more time with the same approach.Įveryone’s skin is different, and it also depends on how harsh the light is during the shot, and potentially on the model’s makeup, so there are no universal values to recommend here. Sharp edges will fall away, and round pores will stay. For our sample picture, around 50% is optimal. For fairly smooth skin, you can use a high value. Meanwhile take care to keep your edit from looking artificial.Īnd that’s where Detail Preservation comes in, because it restores skin’s original structure and pores. Around 30% is usually enough, but feel free to use a higher value. Use the Intensity to determine how strongly the structure is smoothed. Once you’re done checking, turn off the mask display using the same icon, and adjust the Intensity and Detail Preservation to make things look perfect. Or show the coverage more permanently by clicking the mask icon in the Histogram group then it will be shown in purple nonstop. To gain a better idea of whether you have the whole face selected, hover the mouse over the face mask’s name on the right-the mask’s coverage will be displayed temporarily. You’ll know right from the name what a mask is doing, instead of having to test it by turning it off. If you’re working with multiple masks, naming them will prevent confusion. Just double-click on the Mask 1 mask and name it as needed. It’s useful to name the masks you’re working with. Creating a “skin mask” with the Smoothing Brush. When erasing, use an opacity of less than 100%, so you’re just gradually weakening the edit, not immediately removing it. To do so, just hold down Alt while working with the brush. If your edits feel too strong, you can use the brush to erase them from the mask one by one. Choose a high Blur as well, perhaps 100, to prevent sharp transitions. Set the brush Opacity and Density to 100%, so that your edit forms a smooth coat. And do change it, to ease your work-make it small in small spots and big in big ones. To change the brush diameter, hold down Shift and scroll the mouse wheel. That’s especially important for the eyes. These parts of the face have to stay sharp to ensure they catch attention. and generally every place where features are sharp.This tool works based on frequency separation -separating information on tonality and colors (low frequency) into a different imaginary “layer” than information on details and textures (high frequency).Ĭlick on it and then draw with it over all the skin regions that you want to soften. Your first step should be overall skin smoothing using the Smoothing Brush (U), which you’ll find among the tools on the right. You can handle all of these edits in the Develop module within Zoner Photo Studio X. Wrap up by enhancing the subject’s eyes, and potentially their teeth and lips.Then retouch away the major defects before moving on to the smaller ones. ![]() Some of the milder defects may be fixed by this edit alone, and it will make your work easier. Start with overall smoothing that softens the skin’s structure.We’ll show you how to edit the portrait while keeping a natural skin structure so that you don’t turn the model into a wax sculpture. So download the picture at full size and get started editing with us. And that in turn will give you several problem groups to try and fix. ![]() That makes the skin defects all the more visible. So instead of soft, smoothing light, it’s dramatic and high-contrast. The shot was lighted using two softboxes at almost 90° on both sides. You can try out face retouching on the studio portrait below. So take a look at how to get ideal faces in portraits by improving not only the skin, but everything else as well.ĭuring your edits, keep in mind that even after retouching, a portrait should look natural and believable. It can be more comprehensive-and there are several different processes involved in achieving a professional portrait. ![]() Quality portrait retouching doesn’t have to just mean removing a few pimples. ![]()
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